Skip to main content

The chola aesthetic & culture


“Oversized” is a widely-used adjective to describe the clothing purveyed by some of the hottest brands today. As we presumably continue to get bombarded with elongated fits, it’s important to note that this baggy aesthetic was first made popular by the Mexican American youth who belonged to a street gang in Southern California. Whether it’s the high-waisted zoot suits worn by Pachucos in the ’30s-’40s or the buttoned-down flannels sported by Cholos in the ’60s-’70s, Chicano motifs have long been implemented on the racks and catwalks over the years. From budding labels to high fashion houses, many industry players have more or less leeched off the subculture that was initially spawned from social oppression experienced by Latino locales since the Mexican Repatriation of 1929—an unfortunate circumstance when the U.S. government deported approximately 2 million people of Mexican descent. The list of brands who have added new threads to this intricate web of Chicano appropriation keeps on growing. One stylistic example is the blackletter typeface or Gothic lettering. Although it has European origins, it’s most renowned for being adorned on memorial garbs created by Chicano communities in LA. These commemorative pieces of clothing were made to honor friends or family members who passed away. Nowadays, however, the typeface is observed on concert merch or one-off capsule collections, more notably on Kanye West’s ‘The life of Pablo’ wares designed by Vancouver-born artist Cali Thornhill DeWitt, as well as war. Aside from the font, other designers have riffed off other prevailing Chicano references including slang. Japanese mainstay, WTAPS, once created a shirt dubbed “Vatos” and Retrosuperfuture used to sell a pair of shades back in 2008 which was simply entitled “Chicano.” Let’s also not forget how several pop celebs blatantly seized the Chola aesthetic including Selena Gomez (Congratulations to Me), Rihanna (circa 2013 Halloween) as well as Lana Del Rey (Tropico). Conclusively, there’s just too many to count. Chicano culture should be treated with respect. This is a culture with values and traditions not a style or fashion trend. Today’s fashion industry is graced with the influences of so many cultures and subcultures. I think that’s what keeps fashion so exciting. Chicano and Cholo fashion have always had direct influence on other “street” cultures with the crossover of music and style. For example, skate culture with white socks pulled up to the knee, punk culture with plaid flannel shirts buttoned to the neck, hip-hop culture with baggy Dickies and oversized shirts. All in all, I’m quite happy to put my Chicano style influence on the runway and give it full credit to its source.



Comments

Post a Comment

Popular posts from this blog

Gwen Stefani appropriating the chola aesthetic in the past

Gwen Stefani Gwen Stefani's been ripping them off basically forever. It's the "chola look," a Mexican-American female aesthetic that's now being appropriated by celebrities. Think white sleeveless undershirts, Dickies pants with suspenders, thinly plucked eyebrows, maroon lips with a lot of liner, big Aquanet-enabled bangs, and a general " don't mess with me" vibe . Gwen Stefani is perhaps the poser Chola-in-chief. In her music video for “Luxurious” she wore chanclas and shirts with old English lettering. Even La Virgen de Guadalupe makes an appearance. Gwen Stefani, whose 2004 Luxurious video places her as the only (blonde, glimmering) white chola at a Mexican American barbecue, reflecting her upbringing in the majority-Latino city of Anaheim, California . “I love other cultures, but I was most influenced where I grew up in Anaheim, two hours from the Mexico border. The girls in class would use a safety pin to separate their three-week-ol...

Appropriation of the Mexican blackletter font in current fashion

         Appropriation of the Blackletter Font in      modern fashion Today in Mexico blackletter can be found mostly in folk functional graphics such as fascia lettering, signage, do-it-yourself advertisements and labels; it has also proven its popularity in tattoos, concert posters and less – but still present – in graffiti. Don't be mistaken by the contents of this book and believe that most folk Mexican lettering a set in blackletter, however. Unquestionably, most folk graphics use roman type in its serif or sans serif versions. The purpose of this book is to show the presence and anatomy of blackletter in contemporary Mexico, and no examples of roman type are included. The blackletter that adorns countless small stores, shops and service providers all over Mexico has a long history that today enjoys a wholly Mexican twist that caters to the everyday needs of people, from plumbers to cobblers and everything in between. More than a way t...

Lana Del Rey chola appropriation in Tropico

                            Lana Del Rey  Lana’s portrayal of Latino/Cholo culture in her short film 'Tropico’ is only a small piece of the actual stereotyped depiction of Latino American culture , but it is still a huge issue, due to her enormous, young adult following. As a woman of Hispanic descent, I do not feel offended because cholo culture is not one that I feel represents an entire culture of people, or even specifically my cultural group. Of course, we should make the space for actual Latinas/Latinos to speak about whether this image that Lana is portraying is actually an act of cultural appropriation. If a Latina says it’s fine with her, then end of argument right? I also think that we need to shift the focus to what Lana is trying to do. Is Lana celebrating Latino culture or cholo/gangster culture? How do we know if she’s celebrating it or exploiting it? How do we know if white people genuinely wa...